Jealousy, Hatred, Anger and Sadhana

Hatred:

It was in 2002, when I started learning music properly, there was a music competition in Math(Ashram) near our house in Chandneshwar. Both my brothers gave me a lot of enthusiasm to participate in this competition and I also agreed. For the first time in my life, I was participating in the competition and When I got on the stage, I started trembling with fear and for the first time I started holding the mike in my hand, then my hand started trembling, throat started trembling and when I started singing, when it ended, I didn’t know anything. After the end of my singing, I could hear that one or two people were compulsively clapping! Came back home very sad that night and I banged my head on the harmonium and started talking with him. The next morning an incident happened due to which I am able to feel the depths of music today. Supply water used to come right in front of our house and the whole village used to gather there to fill that supply water, the next morning all the villages had reached there to fill water And started talking about my singing last night, among all those people a man named Bapi da was mocking me and making fun of me in front of everyone, Bapi was showing everyone in a dramatic way like I was trembling while singing! I was watching and listening to all this sitting in my house, tears were flowing from my eyes and there was a lot of hatred on Bapi, I used to meet with him almost every day in the village and whenever I saw him, I was filled with hatred and I had made sure in my heart that I should show him one day by singing a song. Today that hatred has turned into gratitude. I express my gratitude to him from the bottom of my heart. If he had not insulted me that day, perhaps I would not have understood the infinite ocean of Music.

This story of mine is said because while doing music, many people will meet who will applaud, they will speak good but those who speak bad should be given gratitude because the same people want your well-being. The feeling of hatred for the people who call you bad will come in the initial stage, it is necessary to save it, if you express it, then the energies of your sadhana will be reduced.

Anger:


I had taken admission in Mumbai University in 2011-12 to do M.Mus and stayed in JS Hall Hostel in Churchgate, Mumbai. I made a lot of friends in the music department of the university. Jazim Sharma is one of those friends, who is famous today in the name of well-known Ghazal Singers across the world. Jazim used to live in a separate room in the hostel but whenever I am sitting to do my Sadhana, he used to come to my room and snatch the harmonium from me and start singing his ghazals and also ask me to sing as well But the technique of ghazal did not come down in my throat, still I used to try and jazim taunting me, Tere Se Ghazal Nahi Banega always used to speak. Whenever he used to say this, I used to get very angry with him. I used to stop my classical music practice and try singing ghazals just to show him But despite my best efforts, the ghazal was not sung till the very end And I used to get very sad about this. Some friends and I used to wrestle every evening in the style of WWE!! For that wrestling I used to get alone and Jazim on the other side and some friends. Our hard-hitting friend Late Devdutt Kulkarni used to play the role of referee. This wrestling was the only opportunity that used to cool my anger on Jazim!
I told this story of mine here because I have seen that if our aim in sadhana is not very strong then we can get influenced by anyone who can destroy, corrupt our sadhana and we go astray. We should follow the music of our soul, not try to connect our path with the rhythm of others. Like I did during my M.Mus, Ghazal was not my subject, Classical Music was the subject on which I had to stick, but due to ignorance, I lost my purpose. The subject which is not ours, by listening to someone, seeing or being influenced by someone’s words, when we try to study on that subject, then two things can happen, one we can do that thing well, otherwise because of not being proficient on that subject, we keep on burning with anger or we can get frustrated.

Jealousy:


“Jealousy is never a sign of purity, it only burns those who are jealous to ashes.”

In 2005/6, when I had enrolled in Utkal Sangeet Mahavidyalaya Bhubaneswar, my aim was absolutely sure. For the whole 5 years, I woke up every day at 4:00 am and continued to do my spiritual practice which is the sanskar of my late father. Seeing my waking up in the morning, some of my friends used to try to get up at 4:00 am to do sadhna and they used to sit beside me and used to play harmonium on a different scale but I didn’t get any effect from them. When all of them used to do this, my attention became more firm, I used to try to listen to my voices more carefully. Their jealousy was helpful in my sadhana because my aim was only in doing sadhna, just like a thirsty person needs water. I got the opportunity to stay in the shelter of great gurus in my musical journey, I have seen many disciples of those gurus having strong jealousy from each other. If a disciple of a guru is doing a very good job, then only the disciples of the same guru get burnt by the fire of jealousy, we have also seen this. Jealousy is never a sign of purity, it only burns those who are jealous to ashes.

We should also keep in mind that music is not tied to any other person, music is free like the sky, music binds everyone with one sound, music is the father of all individuals and creation. In the initial practice stage of music, one can be centered, but as you sink into the continuum of cultivation, the music will shine like a ray of sunshine.

Knowledge unfolds by itself

A calf of a cow is born and goes to its mother and starts drinking milk on its own. Mother never taught him or never showed him how to drink milk but he went and started drinking on his own, neither he did chanting nor Tapa nor did he take the help of other people.

We humans only say that we humans are the greatest scholars, the most knowledgeable, the most great. And we also need the most security, from everybody. And we are great. Whatever we are chanting, someone made it, we did not even see it and someone told us that this chanting will help us to cross the river, We humans are so innocent that we accept everyone’s words very easily without any insight.

Till the last breath, see what the truth is, how it is, how it rises and how it goes. Have taken help without anyone without being influenced by some outside influence. Your own knowledge is illuminated like the sun. Wait for the same morning when the sun will be on its own and sit all night till the sun comes. In this night of ignorance, the eyelids of many are closed and the sun of supreme knowledge shines in those whose eyes are open.

କବିତାରେ ବ୍ୟକ୍ତିତ୍ଵ

ମୁକୁନ୍ଦ ଦେବ

ମୋ କବିତାରେ ମୋରି ବ୍ୟକ୍ତିତ୍ଵ
ଲାଗିପାରେ ଏହା କାହାକୁ କଟାକ୍ଷ!
ନିଜ ସଙ୍ଗେ ମୁଁ ନିଜେ କଥା ହୁଏ
ବାହାରୁ ଅନ୍ତରୁ ଏକତ୍ୱ ସହିତ।
ମୋ କବିତାରେ….

ମୋ କବିତାର ନାୟକ ମୁଁ ଥାଏ
କେବେ ଧ୍ୟାନେ କେବେ ମାନେ ଋଷିଯାଏ,
ଦୁଃଖର ଭାରଟି ଅଧିକ ହୋଇଲେ
ଗୀତି କବିତାର ସ୍ୱରେ ମୁଁ ଗୁଞ୍ଜିତ।
ମୋ କବିତାରେ…..

ଅଧ୍ୟାନରେ କେବେ ଅ-କର୍ମ ହୋଇଲେ
ଅଶବ୍ଦ ବାଣୀରେ ଅଧର କମ୍ପିଲେ,
ହୃଦ-ତନୁ-ତୀରେ ଧ୍ୟାନ-ଶବ୍ଦ-ନାଦେ
କଥା କହିଚାଲେ କଲମରେ ହସ୍ତ।
ମୋ କବିତାରେ….

ଅଭାବରେ ଥିଲେ ସ୍ଵଭାବକୁ ଲେଖେ
ଅଭାବର ମୂଳ ମଞ୍ଜିଟିକୁ ଦେଖେ,
ଭାବରୁ ଭବର ଅନୁଗତ ହୋଇ
କବିତା ଆକାରେ ଶବ୍ଦେ ମୁଁ ବିସ୍ତୃତ।
ମୋ କବିତାରେ….

ବ୍ୟକ୍ତି ବସ୍ତୁ ରେ ମୁଁ ଆଶକ୍ତ ହୋଇଲେ
ଏ ଦୁହେଁ ମୋ ଠାରୁ ଦୂର ହୋଇଗଲେ,
ବିରହ ଚିତ୍ତରେ ବେଦନା ଭାରରେ
ଲେଖି ଚାଲିଥାଏ ହୋଇ ଅନାଶକ୍ତ।
ମୋ କବିତାରେ….

କେବେ କିଏ ଗୁଣି-ଜ୍ଞାନୀ ଚାଲିଗଲେ
ଜୀବନ ଅମୃତ ପଦକୁ ଲୋଭିଲେ,
ମୃତ୍ୟୁର କରାଳ ଗର୍ଭର ଦୃଶ୍ୟରେ
ମୋ କବିତାରେ ମୁଁ ହୋଇଯାଏ ମୃତ।
ମୋ କବିତାରେ….

ଜନ୍ମ,ଜରା,ବ୍ୟାଧି,ମୃତ୍ୟୁ କାୟା-ଧର୍ମ
ନୀତି ରୀତି ଜାଣି କରିଚାଲେ କର୍ମ,
ପ୍ରତ୍ୟେକ ରାତ୍ରୀରେ ମୃତକ ସାଜି ମୁଁ
କୋମଳ କିରଣେ ପ୍ରଭାତେ ଜନ୍ମିତ।
ମୋ କବିତାରେ ମୋରି ବ୍ୟକ୍ତିତ୍ଵ…

Naad Yoga and Characteristics of a Naad Yogi

By Mukund Dev Sahoo, Dhrupad exponent & Founder Dhrupad Music Foundation

“ॐ कार नाद सकल शक्ति, नाद-योग साध होवे मुक्ति..| नाद-श्रुति-स्वर साधु साधे, देव-नर-नारी सकल शांति”||

The essence of the entire creation is intricately woven with an underlying vibration, resonating as the sacred sound of ‘Omkar,’ often referred to as ‘Naad Brahma’ in ancient scriptures. This divine resonance, when explored through the practice of Naad Yoga, unveils the profound connection between oneself and the universal vibration, offering a transformative experience of inner harmony and liberation.

Through the pursuit of Naad Yoga, individuals can traverse the realms of ‘Naad,’ encompassing the melodic nuances of ‘Shruti’ and the harmonious expressions of ‘Swar.’ This sacred journey leads practitioners, be they divine, human, or feminine, towards a state of complete tranquility and peace. It is a journey that encapsulates the spiritual essence of the self and the cosmos, resonating with the harmonious balance found in the divine and human aspects of existence.


“नादोपयोगित्वा न्मानुषण देहमुच्यते” ||१७||

~Pandit Sarangadev

In the 13th century, Pandit Sarangdev, the esteemed musicologist, articulated in the chapter on the order of creation in Sangeet Ratnakar that the human body, within this vast creation, possesses the unique ability to experience every fluctuation of frequency and transform it into music. Our bodies are bestowed upon us to perceive the Naad Brahma, the divine and sacred sounds.

This body, crafted from the Pancha Bhoota (five elements of nature), embodies an inherent instability in vibration. When we endeavor to engage with these fluctuating vibrations with serenity, we can sense the essence of life’s energy within us. Witnessing the form of life energy within our soul opens the gateway to liberation, freeing us from all sorrow and pain. The merging with the infinite vibration is termed Nada Yoga.

If the aim of sadhana is to explore the energies of life and tread the path of liberation, the foremost step is to seek a Satguru well-versed in the authentic methods of Naad Yoga, leading a yogic way of life. Despite the abundance of musicians in Indian classical music, it is crucial to discern who truly embodies the role of a Satguru. Unfortunately, contemporary examples highlight instances where individuals who engage in violent activities teach Nada Yoga. Such practitioners can only impart teachings that forcefully grapple with the essence of pure sound.

In essence, a genuine Naad Yogi or Satguru is one who remains detached from all worldly pleasures. Here, I would like to highlight some significant characteristics of a Satguru or Naad Yogi.


Characteristics of a Naad Yogi:

1. Those who walk well on the path of religion and have complete knowledge of the ultimate truth of religion.

2. One who is completely free from lust, anger, greed and violence.

3. One who is completely restrained in speech, action and self-righteousness.

4. One who sees only God in music practice, aspires to experience God.

5. One who sees everyone with equanimity, beyond falsehood, deceit and shows the path of knowledge with equal respect.

6. One who does not have enmity with anyone and does not criticize anyone and who never talks in vain.

7. Whose mind is completely calm, never becomes promiscuous, no matter how difficult times may be.

8. Those who have loving kindness, get along with everyone with humility and gratitude.

9. Those who are in Samadhi in the sound of Pure-Naad, And have a good knowledge of the variations and variability of frequencies.

10. One who is only interested in Naad sadhna beyond honor, respect etc.

11. One who grants mercy, forgiveness and best wishes for every creature of nature.

12. One who knows very well the way to enter wisdom from Samadhi through Naad Yoga.

13. One who is completely restrained from diet, sleep and sex.

14. A True master (Sadguru) is one who respects every devotee and disciple as his son or daughter, father or mother.

15. One who experiences divine power from every particle of the sound of nature and worships Naad Brahma with unwavering devotion, love and faith.

In our contemporary society, we all seek a guide who can illuminate the path of righteousness, leading us to experience the divine amidst life’s journey. Often, we encounter individuals who, with sweet words, try to bring us joy, and we may inadvertently accept them as spiritual guides. If you aspire to explore the profound power of music, it’s crucial to remain vigilant and discerning. Look for these characteristics in a Sadguru, then embrace them as your mentor. Through dedicated practice, devotion, unwavering faith, and humble gratitude toward the Guru, your life’s journey will unfold with happiness and prosperity.

If the objective of your spiritual practice is to tap into the life energies and embark on the path of liberation, it is imperative to find a Satguru well-versed in the authentic methods of Naad Yoga, living a life akin to that of a yogi. Despite the abundance of musicians in Indian classical music, it is essential to discern who truly embodies the role of a Satguru. Regrettably, there are instances where individuals engaged in violent activities teach Nada Yoga. Such practitioners can only impart teachings that grapple violently with the essence of pure sound.

In essence, a genuine Naad Yogi or Satguru is one who remains detached from all worldly pleasures. Here are some essential characteristics to help you identify a Satguru or Naad Yogi accurately.

~Mukund Dev, Dhrupad exponent, Composer, Lyricist, Writer & Poet

http://www.mukunddev.com / http://www.dhruoadmusicfoundation.com

କବିତା

ମୁକୁନ୍ଦ ଦେବ

କବିତା:
କେବେ ହିମଗିରି ହୋଇ ଛାତି ଚିରିଦିଏ
ଶୀତଳ ପବନେ ଭାସେ,
କେବେ ମରୁଭୂମିର ସେ ପ୍ରଖର ବତାସେ
ବାଲି ସାଜି ନେତ୍ରେ ପଶେ।


କବିତା:
କେବେ ଜୁଆର ସାଜି ସେ କୂଳ ଲଂଘିଯାଇ
ମୁରୁକି ମୁରୁକି ହଁସେ,
କେବେ ଭଟ୍ଟା ହୋଇ ସିଏ କୂଳଠୁ ଅଦୃଶ୍ୟ
କୂଳ ଏକୁଟିଆ ବସେ।

କବିତା:
କେବେ ଅଦିନିଆ ମେଘେ ଗରଜି ଗରଜି
ବରଷା ହୋଇ ସରସେ,
କେବେ ବସନ୍ତ ରଙ୍ଗରେ ରଂଗାୟିତ ହୋଇ
ଅପୂର୍ବ ସୁନ୍ଦରୀ ଦିଶେ।

କବିତା:
କେବେ ଗ୍ରୀଷ୍ମର ରୋୖଦ୍ରରେ ଶୁଷ୍କତାର ମାସେ
ଅଗ୍ନି ବରଷାଏ ଘାଶେ,
କେବେ ଆଶାଡ଼େ ବାଦଲ ନାଚି ନାଚି ଆସି
ବରଷି ଭୂମି ସୁଭାସେ।

କବିତା:
କେବେ ସଂସାର ଭିତରେ ମରୀଚିକା ହୋଇ
ସୁଖ-ଦୁଃଖ ସାଜି ବସେ,
କେବେ ସନ୍ୟାସିର ପଥେ ଈଶ୍ୱର ସନ୍ଧାନେ
ମୁକ୍ତି ପାଈଁ ପ୍ରୟାସେ।

କବିତା:
ସ୍ଥାନ, କାଳ, ପାତ୍ର କିଛି ନାହିଁ ମୋରୋ
କଲମ ମୁନେ ମୁଁ ଦିଶେ,
ମୋ ନାମ କବିତା ଭାବରୁ-ଭାବିତା
କବିଙ୍କ ହୃଦୟେ ମିଶେ।

ଢୀଙ୍କି

ମୁକୁନ୍ଦ ଦେବ

ଯେ ରାତି ନ ପାହୁଣୁ ଲୟେ ବଜୁଥିଲା
ଚୁଡ଼ା, ଛତୁଆ ରେ ଦିନ କାଟୁଥିଲା,
ନୃତ୍ୟର ତାଳରେ ନିତି ନାଚୁଥିଲା
ବେଲୟ ହୋଇଲେ ହାତେ ପିଟୁଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ଦ୍ବି-କୋଠା ଧାନରୁ କୋଠେ ରଖୁଥିଲା
ଦ୍ବି-ପ୍ରାଣୀଙ୍କର ଗପ ଶୁଣୁଥିଲା,
ଅଗରେ ଜଣିଏ ପଛରେ ଜଣିଏ
ନେଲାଵାଲା ଆସି ପାଖେ ବସୁଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ତାର ଶବଦରେ ଗ୍ରାମ କମ୍ପୁଥିଲା
ଢ଼ୀଙ୍କି ପିଟା ଲୋକ ନାମ ଗୁଁଜୁଥିଲା,
ଟଂକା ପଇସାର ବେପାର ନ ଥିଲ
ଅଦଳେ ବଦଳେ ସବୁ ଚାଲିଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ସମୟ ବ୍ୟସ୍ତତା ଏତେବି ନ ଥିଲା
ମନୁଷ୍ୟତା ଦେହେ ପ୍ରାଣ ସଂଚୁଥିଲା,
ମଣିଷ ସଙ୍ଗରେ ମଣିଷର ମେଳ
ଢ଼ୀଙ୍କିର ସଂଗତେ ନିତି ଝୁମୁଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ଢ଼ୀଙ୍କିର ସୁଆଦ ଜିହ୍ୱା ଲୋଭୁଥିଲା
ହୃଦୟ ତ୍ରୁପ୍ତିର ଗୀତ ଗାଉଥିଲା,
ଢ଼ୀଙ୍କି କୁଟା ବିରି,ଚାଉଳ,ଗହମେ
ପିଠା ଓ ମିଠାରେ ଗ୍ରାମ ବସୁଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ଢ଼ୀଙ୍କି ପଛ ଵାଲା ନିଦେ ଝୁଙ୍କୁଥିଲା
ଆଗଵାଲା ହାତେ ଦାନା ଟୁଙ୍କୁଥିଲା,
ମଣିଷ ମଣିଷ ବିବାଦ ନ ଥିଲ
ଢ଼ୀଙ୍କିର ସୁଅରେ ଜଗ ଭସୁଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ମାଟିର ମଣିଷ ଧୃତ-ଚାଲାକ ନଥିଲା
ଉଦାର ଚିତ୍ତରେ ଉଦାରିଆ ଥିଲା,
ରାଗ, ଦ୍ବେଶ, ହିଂସା ଯେତେ ରହିଲେବି
ଢ଼ୀଙ୍କିର ଶବଦ ସମତ୍ୱରେ ଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ପିଲାଦିନ ମୋର ଗ୍ରାମରେ କଟିଲା
ନୟନେ ଢ଼ୀଙ୍କିର ରୂପ ଉଭରିଲା,
କେତେଥର ମା ଧାନ କୋଠା ସହ
ଢ଼ୀଙ୍କି କୁଟିବାକୁ ମତେ ନେଉଥିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(

ଢ଼ୀଙ୍କିର କାଠକୁ ଉଈ ଖାଇଗଲା
ଯାହା ବଂଚିଥିଲା ଜାଳେଣି ସାଜିଲା,
ମେସିନ ଯୁଗରେ ମେସିନ ମଣିଷ
ମେସିନି ସାଙ୍ଗରେ ସଂସାର ତୋଳିଲା।
ଆହାଃ ସେ କରୁଣା ଦିନ କାହିଁ ଗଲା….:(
ଆହାଃ ସେ କରୁଣା…:(((

ମୃତ୍ୟୁର ଚଡ଼କ

ମୁକୁନ୍ଦ ଦେବ

ମୃତ୍ୟୁର ଚଡ଼କ ଚମକ ଦେଲାଣି
କାଳ-ଗର୍ଭେ ଉଠି ଉଜାଣି,
ଅନ୍ତର-ନେତର ମୁଦିତ ହୋଇଛି
ବହିର୍ ଦୃଶେ ଆତ୍ମ-ଜୀବନୀ।
ମୃତ୍ୟୁର ଚଡ଼କ…

ଜନ୍ମ ପରେ ଜନ୍ମ ପୀଡ଼ିତ ଅତୃପ୍ତ
ଜୀବ-ଚକ୍ରୁ ମୁକ୍ତ ହେଉନି,
ଅନ୍ତ-ହନ୍ତସନ୍ତ ଦୁଃଖ ମରୁ-ପ୍ରାନ୍ତେ
ଭ୍ରମରେ ଭ୍ରମୁଛି ନିର୍ଗୁଣି।
ମୃତ୍ୟୁର ଚଡ଼କ….

ଧର୍ମ-ଗୁଣ-କର୍ମ ଆସିଥିଲେ ଘେନି 
ଶୈଶବରେ ଥିଲା ମଣି,
କିଶୋର ଦେହରେ ଶକ୍ତି ଅହଂକାରେ
ଅଧର୍ମରେ ହେଲେ ଅଜ୍ଞାନୀ।
ମୃତ୍ୟୁର ଚଡ଼କ….

କେତେ ଦିବା-ନିଶି ଦିଅଇ ଗଡ଼ଣି
ଜପି ଜପି ମୁକ୍ତି କାହାଣୀ,
ମୁକ୍ତି-ଧ୍ଵନି କର୍ଣ୍ଣ ଦ୍ୱାରଠୁଁ ଦୁରରେ
ମାୟାରେ ଝୁମୁଛି ଅଧ୍ୟାନୀ।
ମୃତ୍ୟୁର ଚଡ଼କ….

ଗତି-ମତି-ନିତ୍ୟେ ଧରି ରଖିବାର
ଛାଡିବା କଣ ଶିଖିନି,
ଲୋଭ,କ୍ରୋଧ,କାମ ଅନନ୍ତ ସୁଅରେ
ଜନ୍ମ-ଜାତକର ଜୀବନୀ।
ମୃତ୍ୟୁର ଚଡ଼କ ଚମକ ଦେଲାଣି
ମୃତ୍ୟୁର ଚଡ଼କ ଚମକ ଦେଲାଣି..

ମୁଁ କବି ନୁହଁ

ମୁକୁନ୍ଦ ଦେବ

ସାହିତ୍ୟର କ୍ଲିଷ୍ଟ ଭାଷା-ଭାଷାନ୍ତର
ସଂଗ୍ରହ ନହିଁ ମୋ ଚିତ୍ତରେ,
ସରଳ-ଶବଦ ଅନୁଭବ ଗାୟେ
ଲେଖିଯାଏ ହସ୍ତ-ମୁନିରେ।

ଜୀବନ ଛନ୍ଦରେ ପଦ୍ୟ ଛନ୍ଦିଅଛି
ବହେ ଲୟ-ତାଳ-ସ୍ୱରରେ,
ଚାରି-ମାତ୍ରା-ଛନ୍ଦେ ଚାରି-ଧାମ-ଘୁମେ
ଅନୁଭବି ଗାୟେ ଅନ୍ତରେ।
ଲେଖିଯାଏ ହସ୍ତ-ମୁନିରେ….!!

କବି ନୁହଁ ମୁଁ ଯେ ମୁକ୍ତଛବି ଟିଏ
ଭାସମାନ ବେଳା-ଭୁଇଁରେ,
ଶବ୍ଦର ସୁଅରେ କୂଳ ଖଜୁଅଛି
ଅଥଳ ସମୁଦ୍ର ଗଭିରେ।
ଲେଖିଯାଏ ହସ୍ତ-ମୁନିରେ…..!!

ମୁଁ ଏକା ଭସୁନି ସଂସାର ଭାସୁଛି
ଦେଖୁଛି ଅନ୍ତର ନେତ୍ରରେ,
ବିବେକ ଦେଖିଲା ଅନୁଭବ କଲା
ଶବ୍ଦ-ଜନ୍ମିଲା ମୋ ପାତ୍ରରେ।
ଲେଖିଯାଏ ହସ୍ତ-ମୁନିରେ…..!!

ଜୀବନ ଛବି ଯେ କିଏ ଆଙ୍କିଛନ୍ତି
ଖୋଜିବୁଲେ ମୁଁ ନିତ୍ୟରେ,
କେବେ ଆସୁଛନ୍ତି ଶୂନ୍ୟେ ଦିଶୁଛନ୍ତି
ଉଭେଇ ଯାଆନ୍ତି ମୋ ଭିତରେ।
ଲେଖିଯାଏ ହସ୍ତ-ମୁନିରେ…..!!

ଅଭାବ ଭିତରେ କେତେ କେତେ ଭାବ
ପଶିଲାଣି ସ୍ୱଭାବରେ,
ଅନ୍ତରେ ଅନନ୍ତ ପ୍ରଶ୍ନର ଜୁଆଣି
ବହୁଛି ହୃଦୟ-ଗଙ୍ଗାରେ।
ଲେଖିଯାଏ ହସ୍ତ-ମୁନିରେ…..!!

କବିର କୃତିତ୍ୱ ଭାଷା ଚତୁରିରେ
ମୋ ପଦ ନହିଁ ସେ ମାର୍ଗରେ,
ସୁ-ପଥ ଖିଜୁଛି ବି-ପଥ ଜଗୁଛି
ମନ ଜଗି ମନ-ଯୋଗରେ।
ଲେଖିଯାଏ ହସ୍ତ-ମୁନିରେ…..!!

“ମୁଁ” ଜଳୁଛି

~ମୁକୁନ୍ଦ ଦେବ

“ମୁଁ” ଜଳୁଛି ହିଂସାରେ,
ପରା-ଭାବ ପରା-ଅର୍ଥରେ,
ପର ଆପଣାର ବିଚାର କରି ମୁଁ
ନିଜେ ଜଳେ ନିଜ କୃତ୍ୟରେ।

“ମୁଁ” ଜଳୁଛି କ୍ରୋଧରେ,
ଇଚ୍ଛା କାମନାର ଜ୍ବାଳାରେ,
ପୂରଣ ହେଉନି ଯାହା ମୁଁ ଚାହୁଁଛି
ଦେହ-ମନ ଜଳେ ଦ୍ବେଷରେ।

“ମୁଁ” ଜଳୁଛି ପର ଚର୍ଚ୍ଚାରେ,
ମୋ ଠୁଁ ଉର୍ଦ୍ଧରେ କେହି ଯଦି ଧରେ
ତାର ନିମ୍ନଗାମୀ ବିଚାରେ,
ଜଳି ମାରୁଥାଏ ଅନ୍ତରେ।

“ମୁଁ” ଜଳୁଛି ଲୋଭରେ,
ଯେତିକି ଅଛି ମୋ ପାଖରେ
ଲାଗିପଡ଼େ ଆଉ ଠାବରେ
ଜିହ୍ୱାର ଲାଳସା ମନର ଭୋକରେ,
ଜଳେ ଅସନ୍ତୋଷ ନିଆଁରେ।

“ମୁଁ” ଜଳୁଛି ପ୍ରତିଷ୍ଠା ଆଳରେ,
ସୁନାମ ପାଈଁ ମୁଁ କର୍ମ କରିଚାଲେ
ପ୍ରମାଣ ଝିଲେ ମୋ ଗୃହରେ,
ଅହଂକାରେ ଜଳି ମରେ।

“ମୁଁ” ଜଳୁଛି ମାୟାରେ
ପର କାୟାରେ
ପର-ନାରୀ ପର-ପୁରୁଷ ଦେଖିଲେ
କାମନା ରାଜ୍ୟେ ମୁଁ ବିଚରେ,
ମାୟାର ଅଗ୍ନିରେ ଉତ୍ତପ୍ତ ପିଣ୍ଡରେ
ଜଳି ମରେ ବ୍ୟଭିଚାରେ।

“ମୁଁ” ଜଳୁଛି ଅଧର୍ମ ନିଆଁରେ,
ଧର୍ମ ଧର୍ମ ହୋଇ ମରେ ଜୀବଦେହି
ଜାତି ଭେଦ ନିର୍ଣ୍ଣୟରେ,
ମଣିଷ ଧର୍ମଟି ମଣିଷ ଭୁଲିଛି
ମୃତ୍ୟୁ ଧର୍ମୁ ଅପସରେ।

ଜଳି ଜଳି ଯେବେ ଶରୀର ନ ଥିବ
ଚିତା ଜଳୁଥିବ ମୃତ୍ୟୁ ଶେଯରେ,
ସବୁ ପାସରିବେ ସବୁ ଭୁଲିଜିବେ
ଯା ପାଈଁ ଚିନ୍ତୁଛି ନିତ୍ୟରେ।

କାଳ ବେଳ ଏଇ ଗଡ଼ି ଗଡ଼ି ଯାଏ
ଧର୍ମର ସୁରଜ ଉଈଁ ଉଈଁ ଯାଏ,
ଜୀବନ ସକାଳ ମୃତ୍ୟୁର ସଂଜରେ
ସବୁ ଜ୍ବାଳା ଲିଭେ ଅନ୍ଧକାରେ।

“ମୁଁ” ଜଳୁଛି କେଉଁ ଜ୍ବାଳାରେ ?
ନିଜକୁ ନିଜେ ହିଁ ପଚାରେ,
ଜଳୁଛି ଏତେ ମୁଁ ଗଭିରେ
ଦୃଷ୍ଟି ନ ପାଉଛି ଅନ୍ତରେ
ଆତ୍ମାଟି ଜୀବିତ ଏବେବି ଜଳିନି
ଛୁପିଅଛି ଅଦୃଶ୍ୟରେ।

ଜ୍ବଳନ୍ତ ଜୁଇରେ ହାତ ବାଜିଗଲେ
ଦେହ ମନ ଥରେ ଭୟରେ,
ଭିତରେ ଯେ ଜୁଇ ଜଳୁଛି ନିଇତି
ଧ୍ୟାନେ ଦେଖ ନୀରବରେ।
“ମୁଁ” ଜଳୁଛି କେଉଁ ଜ୍ବାଳା ରେ….

“I” AM BURNING

“I” am burning with violence,
with the sense of alienation and the wealth of others,
with the feeling of alienation and my own,
I am burning in my own actions.

“I” am burning with anger,
my body and mind are burning with hatred because of the non-fulfillment of my desire.

“I” am burning in the discussion of others, If someone is rising above me, then I have been thinking for his lower, And I burn with my inner fire.

“I” am burning with greed,
Not satisfied with what I have,
I am looking for more,
burning with the fire of dissatisfaction with the longing of the tongue and the hunger of the mind.

“I” do my work with a desire to get a good reputation and satisfy my ego and I have kept the certificate of good fortune hanging in my physical house.
And I am burning with ego.

“I” am burning with Maya and seeing other women and men from the bodies of others,
I burn with the flame of desire.
By burning my body with the fire of Maya,
I am burning with adultery.

“I” am burning with the fire of religion,
due to the difference of religion,
I divided man into human beings and forgot that death is the last religion.

When the body will no longer be burnt,
when I sleep on the bed of death by the fire of the pyre,
then all will be forgotten for whom I always worry.

The wheel of time goes on turning,
the sun of righteousness comes and goes, in the morning of life,
in the evening of death, all the flames will disappear into darkness.

What flame am I burning?
Let me see once from my own intuition,
“I” am burning so much from inside that my sight is not reaching there but the soul is still not burnt which is invisible from me.

When the hand is involved in the burning fire, then the whole body and mind trembles,
to see the fire which is burning from inside,
it needs silent and constant meditation.
Then you will know in which flame I am burning.

Nature of a person

The form of water changes from the shadow of a flowing cloud. This attempt to make the temporary scene permanent is a reflection of permanence. Just like if you understand the expression of a person, the nature of that person is actually temporary like a cloud which has become a reflection of permanence for you.